Friday, July 22, 2011
The blog-post on procrastination
Friday, July 15, 2011
emily haz emoshunl prblmsssss jk lol ur muthrr
Thursday, June 23, 2011
The Hallway of Time (Sounds like a Legend of Zelda game...)
“Why would anyone want to destroy the thing keeping them clinging to a real place?”
“Say you were in danger, or perhaps you were faced with an impossible situation.”
“So, basically, you can use it to run away.”
“It doesn’t matter anyway. Sooner or later the connection fades. It’s only a temporary thing. If it were permanent, none of us would be wandering around in here. We’d all be out there.” Toby looked up past my face as if he could see the universe beyond. I could see the hopeless longing in his eyes, and that’s what made me realize that even if, by happy coincidence, I could back to the right place and time, there was no hope for me being able to stay there. For a moment, I considered curling up on the floor and crying. My brain was telling my body that it was over and I felt my legs wanting to collapse.
I mustered every ounce of courage and hope that I could and squared my shoulders. Toby was shaken out of his thoughts and his hands dropped from my shoulders. I turned away from him to face one of the hallways leading away from the little room.
“Where are you going?” Toby asked as I took a step toward the hallway.
“I’m going to find a way to get back home.” I said determinedly.
“Well, if I were you, I wouldn’t go wandering off in any old direction.” Said a voice behind me. I turned around, seeing that Toby had also turned. During my assessment of the small room and the hallways beyond, I had failed to look at the ceiling. One of the square sections that made up the ceiling was moving. It slowly moved downward several inches and then slid to one side. From the hole that the square of ceiling had been covering dropped a figure.
Thursday, June 2, 2011
NaNoWriMo in June or NoMoRhino?
Tuesday, May 24, 2011
NaNoWriMo: November of 2010
In 2010, I was sitting around on a Sunday (probably in between the sessions of General Conference) and I had the fleeting thought that November started in a month and that maybe I should think of an idea. I originally based my novel on a dream that I had, though, after I finished preparing it, it was extremely different, but almost similar.
For the first half of the month of October, more out of boredom than anything else, I started jotting down ideas that I had. The second half of the month, my story began to take shape and seem actually possible. Having been a failure for my whole life as a writer, I got pretty excited and more than a little obsessed with the idea that I could actually finish a novel if I wanted to (Sounds dumb, but this was a foreign idea to me at the time). Becoming obsessed in advance was one of the things that carried me through November.
The last week of October, I had filled out a billion character charts and sheets and I'd completely mapped out every scene of my novel, except for the end. I knew my story so well, that I dared have a tiny shred of confidence (until the night before November actually started. I was pretty nervous and I couldn't sleep. I was scared out of my mind).
I don't really remember much about November except for that it was easy and hard at the same time. It was easy because I was so prepared that I knew exactly what was going to happen. I even had some of the wording ready to use. It was hard because it consumed every second of my time. I went to school in the morning and wrote as furiously as I possibly could until school started. I was so obsessed with this that I had to stop myself from not paying attention in Seminary so that I could write. The only class that I had a problem in was Human Biology. It's not that I neglected my work, it's that I put it off because my novel was my number one priority all month. Mr. Cox was NOT okay with me writing while we were watching movies (that I'd already seen, might I add) or coloring diagrams (lame)(I also recall him being the only teacher in all of Intermediate school that ever gave me a "green slip" which I ended up getting out of because Mrs. Lynch thought that I looked innocent enough.... okay, she didn't say that, but she said that I sounded pretty sorry and that if I stayed out of her office for fifteen days, she'd just throw the green slip away..... YEAH!...... I don't even remember what it was for... whatever).
Of course, during Orchestra it was impossible for me to write during class. Plus, Miss Dunn outlawed books and homework during rehearsal. Anyway, the rest of my day probably doesn't matter (I'm too lazy to type it), but the point is that I took my NaNo binder with me EVERYWHERE. I didn't put it in my backpack, I carried it in my arms. Even when I had to set it down and concentrate on something else, it was still a presence in the back of my mind (cliche) and I thought about it a lot.
On the bus when I couldn't write, I familiarized myself with the next spot I was going to write. I played it out in my head, imagined dialogue, talked to myself. When I got home, I locked myself in my room (Not really, my bedroom door has no lock) and I continued to write until eleven or twelve. Then, the next morning I would start again. I only had one moment of real writer's block during the whole month and even that only lasted about a half an hour, so it was fine. This was able to come about because of how well prepared I was.
The writing part of it was fun, that's why I do it. I liked the imagining and the planning (see Paper Towns for awesomeness surrounding the idea of the fun being in the planning of a thing). I REALLY liked the finishing at the end (new experience). I liked the weaving of the story. I really liked NaNoWriMo.
So, doing it again for my June NaNoWriMo should be easy, right? Not in million years. I'm not as prepared, I've failed to write two novels since November and I'm even more ready to fail again. Of course, I'm not going to let this stop me, but it might keep me from succeeding, seeing as I keep hesitating. I need that confidence and I need that obsessiveness. This is going to be...
Monday, May 23, 2011
Emily Talks About Writing While She Procrastinates Writing in Her Novel
I'm not sure if I should start at the top of my list or at the bottom... So, I'll start at the top, for fear of being cliche (of course, starting at the bottom as an act of rebellion is also cliche... LIVE IS ONE HUGE CLICHE!). Not a lot of people think that I talk much, but you should go talk to Leslie, because she will tell you that sometimes I cannot shut up. Especially if I've had an idea in my head for a few days. I won't stop talking about it, but Leslie is just awesome and sits there patiently. I'm sure that sometimes she's just ignoring me, but that's okay because she always nods in the right places. When Josh was still living in our house, I would talk at him a lot while he was on his computer (I probably talk at Leslie more now because I don't have Josh to talk at... sorry Leslie :P). Anyway, as you may or may not know, I am extremely insecure about my writing. If I even have a sliver of doubt (Stupid cliches xP) about something, I usually obsess about it. I am a very anxious person. At the same time, when I get a really great idea that I'm sure will never EVER fail, I can't stop thinking about it, and because Leslie is the only one who can make sense of my disjointed thoughts, she's the only one to whom I blab mostly.
I actually lied. Writing is not easy to talk about... in a way that makes sense to anyone besides Leslie, I mean. It's hard for me to make sense when telling a story, so trying to explain the way that my mind works is next to hopeless. The best I can do is wave my arms and hands around wildly (which you can't see because I'm typing) and hope that it makes sense... One of my former Seminary teachers, Brother Black, made fun of me once for waving my hands so wildly around. I don't remember exactly what kind of discussion we were having, but I was trying to explain a question I had and he told me to calm down or I might hit someone.
Writing is on my mind because my friend, Amanda, wants me to do NaNoWriMo in June with her, since she was unable to do it in November. This works out because the OLL is going to do it again sometime during the summer anyway (YES!!!!). I'm trying to decide whether I want to use my time-travel novel idea for it... but I can't really decide. Also, I finished the book I was reading yesterday and found myself (momentarily) without reading material, so I pulled out my book and was unable to think of something to write in it for almost an entire class period (until I found that I, indeed, had an extra book hidden in my backpack. HOORAH.).
Another issue I have is that, when I write, it's like I'm opening up my soul and pouring out the story... or something like that. Also, I prefer typing to writing on paper. My computer is in my living room so as to connect it to the internet, but when I write, I like being in my room where it's more private. Also, my mother has a nasty habit of watching over people's shoulders whilst they write. I would drag my heavy, old desktop into my room, but then I forfeit my internet and IT'S HEAVY. So, I don't want to start typing in the living room, simply because I don't feel comfortable doing it here, but I also have to start doing this at one point or another, so... Procrastination is the answer for now. :P
So maybe I can't go on forever with this topic, but it did occupy my attention for a while and I do like typing............
Friday, May 20, 2011
Emily Rants
1) I had to carry my violin all around with me because I have to practice my unfinished duet that I will be playing with my mother (accompanied by Leslie) in Sacrament meeting at some point in the near future. After carrying that thing around on your shoulder for a while, you will porbably get severe pain somewhere in your upper body, most likely your head, shoulders, or neck.
2) I didn't get very far with my final project in Web Page Design because I got distracted by Photoshop. I would LOVE to own Photoshop....
3) I had to ride the bus home for nearly an hour... those seats promote bad posture and are rarely comfortable after ten minutes of sitting on them... headache worsened.
4) I got home and I literally had to swim (okay, not literally, but... whatever) through a pile of papers to get from the living room to the kitchen to my bedroom and then back across the living room to turn my computer on.
5) Our internet usually take about fifteen minutes to turn on. [The people told us that we didn't need to turn it off, but my parents are paranoid that someone is going to sit on our back porch and steal our internet... which is a joke because we can't get wireless connector thingies to pick up our internet...ness.... so I don't know why we don't just leave it on... it would be easier. MY cousin Sam and I have a running joke. We decided that the only people smart (stupid) enough to try and steal our internet would be homeless people who had nowhere else to go to get internet but the middle of nowhere....)
6) While I was waiting for the internet to turn on, I made myself a bagel, and I was pouring myself some milk and I spilled it.
7) While I was cleaning up the spilled milk, my bagel got cold (I had toasted it).
8) I decided to go practice the one song that I can (sort of) play in the piano: Late by Ben Folds. I fail miserably at playing the piano, so that did next to nothing for my mood.
9) I then decided to play Guitar Hero, which is what I like to do to relieve my stress... although I haven't played it since Christmas when my older brother moved out of the house. (I'm probably, secretly, horribly depressed... The only reason I'm so good at Guitar Hero is because I wanted to be better than Josh. We used to play it all the time.... *sigh*)
10) I logged onto my computer and then opened Firefox, which promptly was "not responding" for about ten minutes.
11) My mother was watching a movie right next to me, and you'd think she were deaf, the sheer volume of sound that emanates from the TV when she's watching it. I had to turn my iPod up all the way just to block out the sound. It's not that I don't like watching movies occasionally, but I don't particularly watching movies during the day, every day, or with other people in the room (due to the fact that I legitimately talk to myself... especially whilst I am driving and talking to yourself is kind of distracting to other people in the room, so I watch movies by myself so that I can talk to myself without disturbing anyone else).
12) I was talking to my father, telling him a story about my day and he walked outside and closed the door.... Of course, my parents frequently leave the room when I'm talking to them, so I guess this shouldn't come as a surprise.
13) The duet I am writing for the song If You Could Hie To Kolob (the one which I am going to play in Sacrament meeting) is unfinished because Finale Notepad won't let me change key signatures or time signatures in the middle of the song... which I need to do. All production on that has stopped until I have figured out what to do.
14) I've been meaning to write in my current book, but I can't figure out whether character development is more important or plot development. I kind of hate going off on a tangent in the middle of the story (especially when it's at the beginning), but in this case, a tangent would be helpful in developing the independence of my main character, which is important, in my opinion.
15) Kailey and I were supposed to make a slideshow for the Orchestra party next week, but she didn't come over today and I don't have access to most of the pictures that we would be using.
Well, that was incredibly stress relieving. I guess you're supposed to follow up these sorts of things with lists of good things, but I'm really sort of lazy right now, so... maybe a future blog.
Wednesday, May 18, 2011
Emily's Super Interesting Life (Not) and Plans For The Future
Whilst trying to decide what she should do (she was going to be a nurse, but decided not to), I suggested that she just get a degree in English, like I am going to, because that's pretty much the only thing either of us are any good at. This morning, we decided that we could get into publishing/editing and then maybe, someday, we can make our own publishing company. We're also going to be ridiculously famous (not) for the book that we're planning on writing together this summer. It's a pretty good idea so far, even better than my current project about time-travel.
So, these are our plans for the future. Exciting....
Friday, May 13, 2011
Tramping a perpetual journey through this labyrinth of suffering
Tuesday, May 10, 2011
Screwtape Letters by C.S. Lewis
Monday, May 9, 2011
Today we did some stuff
Saturday, May 7, 2011
Fifth Grade Amerah and Emily
"Well then," She said surveying the room and seeing only me. "this is a lively bunch. Fifth grade is going to be one heck of a party!" She grinned. I probably looked confused. I said nothing as the girl looked around then set her bag on the desk next to mine. She plopped down in her chair.
"Hiya, I'm Amerah. A-m-e-r-a-h. And that's Am-er-uh, not A-mare-ah. I'm not a horse." I stared. "What's your name?"
"Emily." Amerah stuck her hand out and I shook it. The bell rang a few minutes later and our classmates trickled in, along with our teacher, a short chubby woman. The teacher talked a lot about how the school year was going to go, but I couldn't concentrate on her, because Amerah was trying not to laugh.
"...and I know that we can all be great friends." The teacher said. Amerah laughed rather loudly. The class stared at her.
"Sorry." Amerah said as she covered her mouth.
We colored a picture for the next hour, which Amerah complained loudly about.
"We're not Kindergarteners!"
The bell rang for break and Amerah pulled on my arm to go outside. We walked to the monkey-bars.
"Maybe she really does want to be friends." I suggested to Amerah.
"Just because she can't find friends her own age, what makes her think WE want to be friends with her?"
"I don't know..."
"Neither do I."
"Anyway, moving on."
"To what."
"Let's just say we are unicorns."
"What?"
"We're unicorns. Come on!"
Amerah started running off across the soccer field. I reluctantly followed her.
Friday, May 6, 2011
Freakonomics: A Rogue Economist Explores The Hidden Side of Everything by Steven D. Levitt and Stephen J. Dubner
This was another book recommended to me by my Seminary teacher. It's hard to describe what the book is about because (as the book is constantly proclaiming) it has no unifying theme. It's really just a bunch of economical questions that are analyzed (not necessarily answered) using data and logic. It was a very interesting book, overall, and I learned a lot about... well, stuff, anyway.
I've always been semi-fascinated by the way that people have been programmed to look at things and the way things seem after looking at them logically. Also, analyzing things without moral biases and without trying to come up with a right or wrong answer.
Though, I think the best part of the whole book is probably the cover.
Wednesday, May 4, 2011
Stuff, things... you know this schtick
Does anybody else think I should come up with a theme for this stupid blog? Alright, here we go:
I recently (actually, like ten minutes ago, before I started watching Newsies) finished the book Outliers by Malcolm Gladwell. We talked about this book in Seminary. It's the book where the Seminary teachers got the 10,000 hour rule. I decided to read it because several of them said they recommended it (and teachers usually know what they're talking about when it comes to books). At first, I downloaded a PDF file of it and it took me a month to get half way through. Then, yesterday, my mother got the book for me from the Bookmobile, and I finished the second half in less than 24 hours (Yay for real, physical, paper books!).
Basically, the book is about achieving success and successful people. According to the book, success is very little about actual talent. People who are successful aren't so because they are special or because they possess more talent than anyone else. In large, it talks about specific people or studies (or certain series of events) that prove this. It talks about a ton of stuff that plays into how people do things, what they're attitudes are towards various things (like insults and/or math class), how successful they are. They're things like, when they were born, who their ancestors were, what ethnicity they are, what country they live in, what opportunities they had, how much they worked to succeed. All in all, extremely fascinating book. Next, I'm reading another book recommended to me by the Seminary teachers. So far, they haven't let me down in terms of book recommendations, so...
Monday, May 2, 2011
Emily Talks About Stuff Again: Seriously, Why Doesn't She Just Go Away?
I don't.
Saturday, April 30, 2011
This is today's installment of: "Emily Talks About Stuff"
So, I've started writing a new novel. It's going to be about time-travel. A couple of things are going to be different about this novel relative to every novel I've ever written.
1) It'll be in first-person instead of third-person. I really hate first-person because I always felt that it restricted me because I couldn't really talk about the thoughts going on in other people's heads (which I realize isn't necessarily true and that I'm just really stupid and not good when it comes to writing) so, I just never wrote in first-person, but then I realized that my writing is basically a lot of what is going on in the character's head, so I started my new novel in first-person, and it's turns out to be SOO much easier to write in, which is new.
2) I'm going to do what I was supposed to do for NaNoWriMo. They tell you that you aren't supposed to edit as you go, but I did. I would write in my notebook at school and church, and then I'd get home and I'd transfer it into my computer, while making it make more sense, and adding more words and stuff. With this book, I'm pretty sure I can push my way through to the end if I stop caring whether or not it makes sense or works. I'm not going to care about sentence or paragraph structure so it'll be, as my eighth grade English teacher calls it, word vomit.
3) My main character won't be a nerd. In every other novel/story/everything I've ever written, the main character is super smart and super adaptive. This time, I'm writing about a normal (HA) person, which might or might not work out seeing as I don't know a whole lot about normalness.
If my changing of book writing principles doesn't work, then I will probably hate the world, but that's okay, because no one cares.
Best Wishes!
Monday, April 25, 2011
BEDA: Blog Every Day in April
Tuesday, April 12, 2011
BEDA: Blog Every Day in April; April 12th
April 12th
Right now I’m sitting in my Web Page Design class. It’s a really interesting class, but the fact that I have enough free time to get on tumblr and my email and blog and stuff like that is really sad. The stuff we are doing isn’t that hard, so I don’t understand why people are taking so freaking long to do it. That is all.
Monday, April 11, 2011
BEDA: Blog Every Day in April; April 11th
Today, I was more happy than last week. I think it's because I'm so shallow and four of my favorite teachers told me good morning, and another one talked about my Facebook use... So, in essence, I really like it when my teachers give me attention. I am a shallow beast (to use the words of 2008 Amerah)
Sunday, April 10, 2011
BEDA: Blog Every Day in April; April 10th
Today I learned a lot about writing. I was pointed in the direction of several interesting outline formats that I am going to experiment with for a while, and I was given some pretty great advice. This advice came about in a way that I am going to relate to you, blog-that-no-one-reads, now because I am having my mother blow-dry my hair whilst I write this blog.
Story:
So, last Wednesday was an Early-Out day and some friends and I stayed after school to hang out at the Seminary building, because we are losers and we have nowhere cooler to go. So, basically it was a bad experience because there were a ton of people there and nobody could do anything cool because there was too much going on.... that didn't make sense, but I am sitting about six feet away from my computer screen, so I can't even really tell what I am typing because I don't have my glasses on. Then, when I'm done writing this, I will be too lazy to edit it, so HA. Anyway, so, I got stuck on the revision of my novel and I was feeling a little frustrated so I decided to see if Brother Anderson was in his office, which he was. So, we started talking about creativeness and about how you shouldn't like doing something just because it is easy and you also shouldn't like doing something creative because you feel it's torturous.
So, Brother Anderson was talking about his wife's cousin or something like that, who went to college and got a degree in creative writing and he was like, "In fact, I think you'd like her a lot. You should become Facebook friends." So he writes her name down on a sticky note and says, "When you friend request her, say, 'Brother Anderson is my Seminary teacher (which is technically not true) and he says that you should be my mentor.'" So, yeah. I did, and she thought that it was pretty hilarious that he would say that, and then we had this super long Facebook message conversation talking about stuff, and she's like fifty times smarter than me and she has a bunch of great blogs and videos for me to look at and I read/watched most of them and they were super awesome, and now I'm going to start experimenting, and I think this summer is going to be pretty fun.
I have a TON of writing projects that I want to at least try this summer, including a novel about time-travel, a book that my friend Leslie and I want to write together, a book series that my friends Janessa, Cody, Leslie, and I are going to write while we are on the music tour in California, the revision of my novel, and my friend Amanda failed NaNoWriMo miserably in November because of school stuff, so she decided to try it again in June, and I want to do it again with her, except I'm going to work on my revision instead.... maybe.
Anyway, my hair is dry now, and I still have to work on the revision of my novel.... nighty night.
Saturday, April 9, 2011
Snippet From Screenplay
Dubois:
Alright, quiet down children.
One boy raises his hand. Mr. Dubois raises his eyebrows at the kid.
Boy:
Are you wearing a bow-tie?
Dubois: No.
Boy: What? Yes you are.
Dubois:Then, why did you ask?
A girl from the back of the class raises her hand, but doesn’t wait for Mr. Dubois’ acknowledgment.
Girl:I think bow-ties are a crime against fashion.
Dubois: Well, you don’t have to wear one.
Girl: Why do you wear one?
Dubois: Because The Doctor wears a bow-tie.
Mona: YES!
BEDA: Blog Every Day in April; April 9th
Me-"iPods are like etch-a-sketches, only better."
Because I can hold my iPod upside down and it will still be clockwise to turn the volume up. It's a useful thing to know, I'm telling you.
Friday, April 8, 2011
BEDA: Blog Every Day in April; April 8th
Today was nice. I have regained my faith in my ability to pull of novel writing. That is all.
Thursday, April 7, 2011
BEDA: Blog Every Day in April; April 7th
I posted the screenplay. It counts. Read it nonexistent readers of this blog. READ IT.
Screenplay
Ext. Street - AFTERNOON
Mona Carter is seen walking along a sidewalk. She carries a backpack and a violin and keeps her head down. Music plays in the background (credits). She walks past houses with lots of trees in the front yards and kids playing with balls. As the music fades, Mona is passed by several police cars and a van. These vehicles turn into a driveway that she has almost reached. The house is set back farther from the road than those near it (the closest houses are fair distance away) and the driveway is pretty long and big. Mona stops, looks confused, then makes her way up the front sidewalk to the house. She walks through the open front door into the entrance hallway. Police are doing police stuff and ignoring her. Again, Mona is confused. She slowly makes her way along the hallway. She walks into the kitchen, which is strangely empty. She then looks around another corner into the living room. Seven bodies are seen lying on the floor, arranged in no particular way, and covered in blood. Mona is shown frozen and shocked.
MONA
What...?
A man in a blue suit is seen standing near Mona. He holds a small, black notebook and is writing. When he hears Mona speak he turns to her, standing in the doorway to the kitchen.
MR. BRIGHT
Who are you?
MONA
I live here.
The man looks confused.
Mr. BRIGHT
That wasn’t the question.
Mona finally looks away from her dead family.
MONA
Oh… Sorry. I’m Mona…. I live here.
Mr. BRIGHT
(Sarcastically) Oh really? Um…
He looks around as if thinking.
Mr. BRIGHT
Why don’t we go in here?
He gestures back into the kitchen. Mona turns and the man follows. Mona takes off her violin and her backpack and sets them down in the corner of the kitchen next to a garbage can. Both sit at the kitchen table. The man turns his notebook to a clean page.
Mr. BRIGHT
Your full name.
MONA
Mona L. Carter.
Mr. BRIGHT
L?……. Lora, Linda, Leanne…
MONA
Lisa.
Mr. BRIGHT
You’re kidding.
MONA
Does it look like I’m laughing?
Mr. BRIGHT
Oh… Sorry…
MONA
It’s fine.
Mr. BRIGHT
Okay… Um… One moment.
The man leaves the room. Mona leans forward to read what the man has written in his notebook. The notebook is shown. All that is written is her name on the top line in All caps. Mona sits back slowly. One hand raises to her mouth and she starts chewing her nails. The man reenters followed by another man in a navy blue, official looking jacket. He holds out his hand for Mona to shake. She looks at the hand for a second and then shakes it. Both of the men sit down.
Mr. BRIGHT
(gesturing to Mona) This is Mona Carter.
Mr. BLAIRE
My name is Charles Blaire and this is my associate, John Bright.
Mona nods and there is a silent moment where Mona shifts in her chair, Mr. Blaire pulls out an identical notebook to that of Mr. Bright, who is scribbling at the top of the page, absently.
MR. BLAIRE
(Kindly) Well, I’m going to ask you a few questions, is that okay?
Mona glances around.
MONA
Um, I guess so.
MR. BLAIRE
Where were you at around 3:00 PM this afternoon?
MONA
At school.
MR. BLAIRE
It’s almost 6:00. Did it take you three hours to get home? How far away is the school?
MONA
The school is only about a mile away, and I stayed after.
MR. BLAIRE
For what reason?
MONA
I have Orchestra for my last period of the day and we decided to extend our rehearsal… For… Fun…
Mr. Bright looks confused and Mr. Blaire looks suspicious. Mona blushes and looks down.
MR. BLAIRE
Is there any way I can verify this?
MONA
Um, you could ask my Orchestra teacher, Miss Dunne.
Both men started writing in their notebooks.
MR. BRIGHT
Did you do this sort of thing often?
MONA
Occasionally, yes.
MR. BLAIRE
How many days of school do you have left?
MONA
Today was the last day.
MR. BLAIRE
But, on the last day of school, don’t you just hang out and sign yearbooks and stuff?
MONA
Yes, but the Orchestra decided to rehearse anyway.
Mr. Bright coughs.
MR. BRIGHT
ANYWAY, have there been any strange people around the house lately, or has anyone in your family been acting strangely?
MR. BLAIRE
(Pointedly) Have YOU been acting strangely?
Mona laughs and the two men look very confused. Mona sees that they don’t understand and stops laughing.
MONA
(Embarrassed) We're good children. A little crazy, but, you know, what can you do?
No one says anything.
monA
No weird people around... not that I pay that much attention or even care. Not that anyone else really cares either, it's not like we put security cameras all over the place to watch for strange people...
There's an awkward silence.
Mona
...and it depends on how you define “strange”.
MR. BLAIRE
Not normal?
MONA
Not normal, as in compared to other people or compared to you?
Mr. Blaire stops looking confused and looks a bit annoyed.
MR. BLAIRE
You. And you’re not that strange.
MONA
You have no idea.
Mr. Bright coughs again.
MR. BRIGHT
Well, if we have any further questions, we’ll be back.
Mr. Bright and Mr. Blaire stand up and each shake Mona’s hand again before exiting the kitchen. As soon as they leave, Mona sinks lower into her chair and looks depressed (understandably).
INT. Kitchen - LATER
Mona has not changed position. Another man’s head is seen slowly poking into the room via the door to the living room. Mona, who has been staring out into space looks over at the head. The man is a bit short with hair approaching long. He enters the room, walks up to the table and shakes Mona's hand without saying anything. He reaches into a shoulder bag that he is carrying and pulls out a black folder and a pencil, then he sits down in the chair opposite Mona.
Jason Lomax
My name is Jason Lomax and I work for The Utah Department of Human Services: Division of Child and Family Services.
Jason opens the black folder and spreads some papers out onto the table.
JaSON
You can just call me Jason.
Mona nods.
Mona
Okay.
JaSON
Are you?
Mona looks confused. Jason stares intently at her. Mona begins to look uncomfortable.
MonA
(hesitantly) What?
Jason
Okay. Are you okay? You look a bit pale.
Mona self-consciously brushes her hair out of her eyes and adjusts her glasses.
Mona
I'm fine.
Jason
I doubt that...
Mona blushes and looks down at her hands.
Jason
You aren't going to be able to stay here.
Mona
Well... I kind of gathered that.
Jason
I'm going to take you to a place to stay until we can find somewhere for you to go permanently.
Mona nods.
Jason
So, you might want to go find some things to take with you. We'll come back here sometime with luggage so that you can pack properly, but for now just bring your essentials.
Mona stands, grabs her backpack and violin, and walks to the front of the house and upstairs to her room. She is seen walking into the room, flipping on the light switch, and then standing, looking lost.
Cut to Jason watching Mona leave the kitchen and then looking down to read some papers.
Ext. Outside Mona's house - DUSK
Mona walks out the door with her backpack and violin. Jason closes the door behind her and follows her to the street in front of the house where his small, white car is parked. He opens the trunk and puts her stuff inside, then walks around to the passenger side and opens Mona's door for her. He gets in and starts the car. As they pull away, Mona turns her head to the window and starts to cry, silently.
Int. Government facility for orphaned children, Mona's room - NIGHT
The outline of a figure in a bed is seen in the moonlight. The figure gets restless, tossing and turning, until it sits straight up. Mona is breathing heavily and the shine of tears can be seen on her face. She puts her head in her hands and sobs.
INT. Dr. Steinbeck's office - DAY
Mona sits in an office on a couch facing a desk. She scans the pictures on the walls and desk then nervously bites her nails. She reads the name carved on a piece of wood that was sitting on the desk. "Douglas L. Steinbeck". An older man wearing a very expensive looking suit opens a door behind her and walks to his desk. Mona doesn't move.
Dr. steinbeck
Good morning, Mona.
Mona
Good morning.
Dr. STEINBECK
How are you feeling? Did you sleep well?
Mona
(expressionless) Define "well".
Dr. STEINBECK
Is it something you would like to experience every night?
MonA
No.
Dr. STEINBECK
Okay...
There is a silence as the Dr. thinks. He pulls out a notebook and a pen and starts to write in it.
Dr. STEINBECK
How long have you been here?
Mona
Four days. Shouldn't I by lying down on this couch or something?
Dr. Steinbeck laughs.
Dr. STEINBECK
Will it make you feel more comfortable?
MonA
No... just wondering, because in most movies or TV shows, the person seeing a psychiatrist is always laying down...
She looks away, out the window that is behind the desk. Dr. Steinbeck stares at her thoughtfully and continues writing.
Dr. STEINBECK
How would you rate your overall mood?
Mona is shown thinking.
Mona
I'd say a four.
Dr. Steinbeck nods as he jots down some more notes.
Dr. STEINBECK
Okay, and how would you rate your mood four days ago?
MonA
Four.
The Dr. begins writing and then stops. He looks up at her and seems confused.
Dr. STEINBECK
You don't feel any better.
MONA
Oh... I don't know, I never was very good at rating things...
The Dr. looks exasperated.
Dr. STEINBECK
Okay, can you at least tell my why you picked a four?
MonA
It's the first number that came to my mind. Plus, I didn't want to say seven or eight, because that's what people always say. I'd reserve the top half of that spectrum to be reserved for happy people, and I'm kind of a pessimist, so I picked a number in the lower half.
The Dr. is seen scribbling something in his notes out and then looks up at Mona again, thinking.
DR. STEINBECK
So, can you tell me what happened to you four days ago?
MonA
I came home, my family had been murdered, I came here. I'm sure you've read about it in my file.
Mona points to a plain black folder sitting on the desk. The Dr. looks a little embarrassed.
DR. STEINBECK
Yes, but the point was for you to share your feelings a little bit in the telling so that I could see how you are dealing.
MonA
Um, I suppose I feel the same as everyone else in this situation. I really don't see how dwelling on it is going to help.
Dr. STEINBECK
If you keep things bottled up inside, then you're eventually going to explode. Sometimes you need to talk about things so that you can move on.
Mona
Yeah, well, sometimes talking about things doesn't really help. Also, I promise not to explode.
Dr. STEINBECK
How do you know your stress won't just keep building?
MonA
I'm a white personality.
DR. STEINBECK
No one can escape stress, not even white personalities.
monA
What's your point?
Dr. STEINBECK
Just because someone brilliant came up with four slots to categorize people in, doesn't meant that everyone fits in with the stereotype.
monA
I know that, but people generally do.
dr. STEINBECK
I had the feeling that you were an exception.
Mona looks doubtful, Dr. Steinbeck raises an eyebrow.
monA
How would you know?
DR. STEINBECK
I'm a psychiatrist. It's my job to know these things.
mona
(sarcastically) Really?
Dr. STEINBECK
(also sarcastically) I don't know. I'm making things up.
MonA
How unfortunate.
Dr. STEINBECK
Why aren't you concerned about the death of your family?
Mona
Nothing I can do about it.
Dr. STEINBECK
Yes, but doesn't it scare you or anger you.
Mona
I guess if I think about it, but I don't really want to, you know? Why think about something that makes me sad or afraid. I'm just moving on.
The Dr. absently rubs the side of his face with his hand.
Dr. STEINBECK
Aren't you concerned that you aren't going to see them ever again?
Mona
Personally, I believe in an afterlife, so... not too worried about it.
dr. STEINBECK
Don't you have doubts?
Mona
Sometimes, yes, but if it's there isn't life after death, why waste my life worrying about it?
Dr. STEINBECK
True... but what if their deaths had something to do with you? Shouldn't you worry about it then?
Mona
I doubt that it does.
Dr. STEINBECK
You should never ever doubt what nobody is sure about.
monA
You didn't just quote Willy Wonka and The Chocolate Factory.
dr. STEINBECK
It's a great film.
MONA
Yes it is.
The two look at each other for a long time with blank expressions on their faces.
Int. David Sandson's home office - EVENING
David Sandson is sitting at a desk in a room surrounded with bookshelves. The phone rings.
David
Hello, David Sandson speaking.
David listens to a voice speaking. He looks surprised and then excited.
DavID
Really? That's good! Well, not that this situation came to be but...
David cuts off in mid-sentence and listens.
david
That soon? Okay... Certainly... Of course. You are very welcome... goodbye.
David hangs up the phone and then stands up from his desk. He exits the office and runs through a living room into a dining room. His wife, Annalise, is sitting at the table reading the newspaper. He calmly takes the newspaper from her, takes her hand, and drags her into the living room. He then picks her up and starts spinning.
Annalise
(laughing) What?
David
I didn't want to break anything.
AnnALISE
No, I meant, why are you so... jubilant?
David sets Annalise down and grins at her.
INT. GOVERNMENT FACILITY FOR ORPHANED CHILDREN, MONA'S ROOM - MORNING
Mona is sitting on her bed with her back against the wall. She is reading Redwall by Brian Jacques. There is a knock on her door.
Mona
Come in.
Jason opens the door a little a sticks his head in.
JasON
Hey, I was wondering if you could come down to the office so that we could talk to you.
Mona
Yup.
Jason holds the door open and Mona walks through. There's a montage of them walking silently down hallways and stairs and then finally into the door of an office. There is a woman sitting at a desk and three chairs in front of the desk. Mona and Jason sit down. The woman looks up at them from behind some papers.
Woman
Mona, we have found a suitable placement option for you.
The woman hands Mona a file. Mona opens it.
Mona
(Reading) David and Annalise Sandson. Tremonton, Utah... Where is that?
Jason
Box Elder county. In the North.
Mona nods and then laughs.
Mona
(Kidding) People live up there?
Nobody laughs. Mona looks away and coughs.
Jason
We'll be leaving tomorrow morning to stop by your house to grab your stuff and then it'll take us two hours to get up there.
Mona nods and there is an awkward silence.
INT. Dr. steinbeck's office - LATER
Dr. STEINBECK
Oh, Tremonton...
Sits thinking. Mona sits somewhat uncomfortably. Suddenly, he turns to his computer and starts typing. After a moment, he hits a key and grins.
Dr. STEINBECK
There is a former pupil of mine that is currently practicing in Tremonton. I'm going to contact him and refer you to him.
monA
What? Why? I'm fine.
Dr. STEINBECK
I don't think that you are fine. Professionally, I think that you still need to undergo therapy. Unprofessionally, I think it will be hard for you to adjust to this environment change, even if you don't show it. I think that, eventually, you are going to appreciate someone to talk to and you might not be comfortable with talking to whomever you are being placed with.
Mona looks disgruntled.
Mona
Talking hasn't helped so far.
dr. STEINBECK
It hasn't been that long!
Mona
It's been almost two months!
Dr. STEINBECK
Has it? Hm...
Mona looks away, disgruntled.
Ext Street/Jason's car - morning
Mona and Jason are sitting in Jason's car. They pull into Mona's driveway. Jason looks at Mona. Mona looks forward. They get out of the car, Mona grabbing her backpack out of the trunk, while Jason grabs a large suitcase, and walk up to the front door. Jason pulls a key out of his pocket, unlocks it, and holds the door open for Mona. Without hesitation, Mona walks up the stairs to her bedroom. Jason follows and stands in the doorway. Mona fills the suitcase with clothes, then starts to fill her backpack with books from her bookshelf. Jason watches in disbelief.
Jason
What are you doing?
Mona looks up from situating books.
MonA
They're mine. I'm not leaving them.
Jason
Um, isn't there anything else you want to take with you besides books and clothes?
Mona looks thoughtful.
Mona
Good point... I'll need some paper.
She turns to a desk and pulls out a binder, several notebooks, some pens, pencils, and Sharpies, and her scriptures. She finds places for all these things in the suitcase, then stands back to look at her accumulation of luggage. She thinks for a moment and then goes to her closet. She takes out a long, black dress inside a clear clothing protector bag. In the bottom of the bag is a pair of knee-high black socks, a black shirt, and a pair of flat, black dress shoes. Jason is shown looking confused and amazed.
jasON
What is that for?
MonA
It's my Orchestra concert dress.
jason
Why on Earth do you need it?
MONA
(offended) I made this...
Jason
(skeptical) You're kidding.
Mona
No. I'm not and I'm taking it with me.
Mona carefully folds the dress to fit in the little space left in the suitcase. She then lifts it off the bed and sets it on the floor. She zips up her backpack and puts it on her shoulders, grabs the handle at the top of the suitcase, and begins to drag it toward the door. Jason resignedly moves out of the way and follows Mona back out to the car, locking the door behind them, and helping Mona get the huge suitcase into the trunk of his car. They both get into the car and this time Mona stares straight forward as they drive away.
ext. Freeway - DAY
Montage of Mona and Jason in the car, looking at things around them, driving, the car on the road. At the end of the montage, they exit the freeway and start driving down a seemingly endless road.
Mona
Are you sure you know where you're going?
jason
Yes. I looked it up on Google Maps before we left.
Mona laughs dryly and looks away.
ext. Street outside the Sandson house. - lATER
The car stops in front of a house. Mona and Jason look at the house for a long time. Jason turns off the car.
Mona
Allons-y.
Jason
What?
mona
Let's go, in French.
Jason
You speak French?
Mona
Oui.
Jason
Wow...
Mona
Not really, I'm kidding.
Jason
What? Then how did you know that?
Mona
Doctor Who?
Jason
Doctor What?
monA
No, Doctor WHO.
Jason
What's that?
Mona
British TV show... I'd explain, but I don't think we really have the time right now.
Jason
Oh, yeah. Right...
They both get out of the car and Mona puts on her backpack and violin, and Jason grabs the suitcase. They walk up to the door and Jason knocks.
int. Living room - CONTINUOUS
David is sitting on the couch reading the Ensign. Annalise is sitting on the arm of said couch, reading a book. They here the knock on the door. They both look at the door and then at each other. Trying to appear calm, David stands up and walks to the door, Annalise following. He opens the door and Jason and Mona are standing there. They all stare at each other for a while.
Mona
(with fake enthusiasm) Hi!
David and Annalise look at each other, unsure. Jason smiles.
Jason
Hello.
He shakes David's and Annalise's hands, then looks expectantly at Mona. She looks confused for a moment.
MonA
Oh.
She holds out her hand to shake. David hesitates and Annalise nudges him. He shakes the hand. Annalise shakes it as well.
Jason
This is Mona. Mona, David and Annalise.
Mona
Yeah, I know. I read the file.
Mona leans toward them slightly.
Mona
Don't worry, your secret is safe with me.
David and Annalise look concerned.
Mona
(dissapointed) Kidding.
Mona looks away. David and Annalise look uncomfortable and Jason looks a little impatient.
Jason
Anyway, how about we come inside and chat a little.
David and Annalise are shaken out of their discomfort and they move out of the way for Mona and Jason to enter. They set Mona's stuff down by the door and sit down on the couch. David and Annalise sit in arm chairs facing the couch.
AnnaliSE
So, you're Mona? It's very nice to meet you.
David just nods.
Mona
Nice to meet you too.
There is an awkward silence again.
Jason
As you probably know, my name is Jason Lomax. I'm Mona's social worker in the Foster Fare system. I have some papers here...
Jason pulls the papers out of his shoulder bag (which he is always carrying), and he puts them on the coffee table that sits in between them...
Jason
You have general information, and there's summaries of the police reports...
Jason looks at Mona a bit embarrassed. Mona looks over quickly.
Mona
Oh, yeah. I never got to see those. May I take a look?
Jason hands Mona some papers and she begins to read them.
Jason
Also, there's a recommendation here from Dr. Steinbeck to visit...
Mona interrupts while still reading the police reports.
Mona
Disregard that.
Jason
Not a chance.
Mona
Dang it.
David
What?
Jason
Mona's therapist from child and family services has recommended that she see a pupil of his who works here in Tremonton.
David
Really... who?
Jason
(reading) Stephen Sharp.
Mona starts laughing. Everyone looks at her. She stops laughing and looks up at them with an expressionless face.
Mona
This is pretty funny reading.
She indicates the police reports she is holding. David and Annalise look confused. Jason looks amused.
Mona
Kidding.... tough crowd.
David looks like he is about to say something in response, but Annalise interrupts him.
ANNALISE
I've heard of Doctor Sharp...
Jason
Dr. Steinbeck is a very good man, so his recommendations can be trusted.
Mona
(sarcastically) Right.
David looks confused. Annalise smiles uncomfortably. Mona continues to stare at the police reports. Jason keeps pulling out papers.
int. liVING ROOM - lATER
Jason gets into his car, waves and pulls away. David and Annalise wave back. Mona just stands behind them. They all walk back into the house and close the door. David and Annalise sit back down on their chairs and Mona hesitantly follows. There is a bit of a silence. David gestures to Mona's violin case.
David
You play the violin?
Mona
No, I just carry it around for fun.
David hesitates.
David
You're kidding....?
Mona
Yes.
David
Okay. Yeah, it's just that you look like you're totally serious, so I get thrown off...
Mona
You're a teacher, aren't you?
David
Yes. I'm a Seminary teacher.
Mona
Seminary? Oh...
David
(a bit defensive) What's wrong with that?
Mona
Nothing... I just didn't really like Seminary much.
david
We'll change that.
Mona looks doubtful.
int. KitCHEN - eVENING
Mona, David, and Annalise are sitting on kitchen counters. David and Annalise are sitting on either side of the kitchen sink. Mona is sitting next to the fridge on the counter perpendicular to the counter with the sink. There is silence.
David
So... you like music?
Mona
Everyone likes music.
David
Um... That's probably true...
Mona
Probably...
They all look away from each other.
int. Mona's bedrooom - NIGHT
Mona sits up in bed, gasping for breath. She takes one deep breath and swallows. She gets up out of bed and goes to the window. She stares at the dark outline of some mountains for a while. She turns and gets back into bed, curling up into a tight ball, holding the blankets closely to her.
eXT. Front lawn - morning
Mona sits against a tree, reading. She wears a black jacket despite the obvious summertime. She looks distant.
int. liVING ROOM window - MOMENTS LATER
Annalise comes to stand by the window. She is shown watching Mona for a few moments before she turns away.
int. davID's OFFICE - afternoon
David sits at his desk, typing on a laptop. Mona sits uncomfortably on a folding chair next to, and a little bit behind, him. He is pointing at the computer screen and gesturing quite a bit with his hands.
David
...and then you have to enter the name into this box. Then, you do it all over. Indexing sounds fun, right?
He looks back at Mona, who scratches the side of her face and adjusts her glasses.
Mona
I think I prefer Email surveys...
DavID
What?
Mona gestures questioningly at the laptop. David slides it closer to her. She slides closer to the desk and starts to type rather quickly. She presses the enter key and waits. She types something in.
Mona
See? List of random questions. You answer them all, and send them to cool people. They send them back, and you laugh at how hilarious you all are.
David looks doubtful.
David
It's sort of just a waste of time.
Mona
Yeah, at least we aren't doing drugs.
David
Hm...
Mona
I like to think of it as writing in a journal.
David
What? Why? Journals are like a personal history. Email quizzes are... Eh...
Mona uses the touch pad and starts scrolling. A ridiculously long list of emails, all from the same person, is shown on the screen.
Mona
Do you know what this is?
David
A lot of wasted time?
Mona
No. This is every email quiz I've ever done/received from the last six years.
David
Why on Earth did you save them?
Mona
For the same reason you keep a journal.
David
I doubt that.
Mona
The way that I answer these questions, much like what you write about in your journal, reflects the person I was when I did them. Reading back through the quizzes that I did when I was in the sixth grade, is like looking back in time.
David
Okay, then...
Mona
Well, it sounds more fun than Indexing.
David
Indexing is important work.
Mona
Like math class? Necessary evils and all that jazz?
DavID
Um, no...
David looks away.
inT. LivinG ROOM - The nEXT DAY
Mona is walking toward the front door. David comes out of the kitchen, almost running into her.
David
Where are you going?
MONA
Outside to read.
David
Haven't you been reading that book all week?
Mona
Yes. I haven't finished it yet.
David
Have you read it before?
MONA
Yes. Several times.
DaviD
Why don't you go visit the public library? It's not that far away.
Mona
Where is it?
David
Walk two blocks North and a block East.
Mona
Cool... Should I be home at any particular time?
David
Um... Before dinnertime?
Mona
Cool... Cool, cool, cool.
Mona slips out the front door. David stands looking at the door for a while before walking across the living room to his office.
InT. Dining Room - evening
Mona, David, and Annalise sit at the dinner table, eating food.
Annalise
So, I called Dr. Sharp's office today...
Mona
(hopefully) And nobody answered?
Annalise
No...
David
Did they want us to come in?
Annalise
Yes.
Mona
Dang it.
Annalise
The person on the phone said that they had Mona's name in their computer under "Schedule appointment".
Annalise says this using air-quotes. Mona grumbles under her breath. David goes back to his food.
Int. Dr. Sharp's office - DAY
David and Annalise stand unsure by the door into the office. Mona walks up to a man behind a desk. The man looks up.
Mona
Hi.
Alonzo
Hello...
Mona
My name is Mona. What is your name?
Alonzo
Alonzo...
Mona
Awesome! Allons-y Alonzo!
Alonzo
I've had someone say that to me once... Why?
Mona laughs uncontrollably for a moment while David and Annalise look uncomfortable.
Mona
Google it.
Alonzo looks thoughtful.
AlONZO
Oh, yeah. Mona Carter. I'm supposed to show you in as soon as you get here.
Mona
Molto Bene.
Alonzo stands up from his desk and starts walking down a hallway.
AloNZO
What?
Mona
It's Italian for "very good".
Alonzo looks confused. He reaches the end of the hallway and opens a door. Mona, David, and Annalise walk through the door into an office. Dr. Sharp is sitting at his desk, typing on a laptop. He looks up as they walk in the door. He stands up.
Dr. Stephen Sharp
Have a seat.
Mona
I can have it? Really?
Dr. SHARP
For now, but you have to keep it where it is.
Mona
Good answer.
Dr. SHARP
Thank you.
They all sit down and Dr. Sharp interlocks his fingers together and puts his elbows on his desk.
Dr. SHARP
Now, I've read some of Dr. Steinbeck's notes...
Mona
Oh, great...
Dr. Sharp looked up at Mona, surprised, but amused.
Dr. SHARP
They are very interesting.
Mona
I'm sure...
Dr. SHARP
(mischievously)